Dr Sam Gilchrist Hall is the Managing Director and Co-Founder of Gilchrist and Hamilton, a digital-learning platform and educational consultancy firm. Alongside our GCSE and A-Level Shakespeare courses, we offer a variety of services for professionals who want to improve their real-world English. These include: courses on rhetoric for business presentations; editing services for copy writers, with personalised feedback; and bespoke learning services for professionals in the fields of law, IT, sustainability, public services and finance.

Sam was educated at the University of London and has published a monograph, Shakespeare’s Folly: Philosophy, Humanism, Critical Theory (Routledge, 2017) and articles on early modern literature, philosophy, theology and Critical Theory. An avid writer of fiction, he has recently completed a novella, Inside Virgil Caine: One Man in His Time, and is working on his first full-length novel, provisionally entitled The Bachmann Tapes.

Please contact him (Sam.Hall@kre.hu)  regarding supervision of research projects or theses in the following areas: European Modernism, Shakespeare, Early Modern Literature and Critical Theory.

For a free language consultation appointment from Gilchrist and Hamilton, please complete the form below: 

Shakespeare’s Folly

This study contends that folly is of fundamental importance to the implicit philosophical vision of Shakespeare’s drama. The discourse of folly’s wordplay, jubilant ironies, and vertiginous paradoxes furnish Shakespeare with a way of understanding that lays bare the hypocrisies and absurdities of the serious world. Like Erasmus, More, and Montaigne before him, Shakespeare employs folly as a mode of understanding that does not arrogantly insist upon the veracity of its own claims; a fool’s truth, after all, is spoken by a fool. Yet, as this study demonstrates, Shakespearean folly is not the sole preserve of professional jesters and garrulous clowns, for it is also apparent on a thematic, conceptual and formal level in virtually all of his plays.

Examining canonical histories, comedies, and tragedies, this study is the first to either contextualize Shakespearean folly within European humanist thought, or to argue that Shakespeare’s philosophy of folly is part of a subterranean strand of Western philosophy, which itself reflects upon the folly of the wise. This strand runs from the philosopher-fool Socrates through to Montaigne and on to Nietzsche, but finds its most sustained expression in the Critical Theory of the mid to late twentieth-century, when the self-destructive potential latent in rationality had become a reality. This book makes a substantial contribution to the fields of Shakespeare, Renaissance humanism, Critical Theory, and Literature and Philosophy. It illustrates, moreover, how rediscovering the philosophical potential of folly may enable us to resist the growing dominance of instrumental thought in the cultural sphere.

You can find and buy the book on Amazon and Routledge.